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Description
This is my third song and the first in which I didn't try to pile as many effects as humanly possible onto my voice. It's about a couple deciding what to do after an affair.
I had a lot of trouble with hiss because I'm using the built-in mic and it's sensitive enough to pick up the sound of the computer's fan. I've put as much gate on the tracks as they will bear and used the AULowPass filter, but hiss is still an issue. I should have just let the hiss run throughout the song, rather than having it cut in and out, but by the time I figured this out, it was too late.
I hope you guys enjoy it and I reallly appreciate any input I get, both positive and critical.
Jim Bouchard posted a cover of this song, over here. I love it, so please check it out if you enjoyed this one. ;-)
After All, by Jim Bouchard
I'm lucky enough that Joe Gurner covered it too, with a very different arrangment than Jim's; Joe's is equally wonderful, though.
After All, by Joe Gurner
I had a lot of trouble with hiss because I'm using the built-in mic and it's sensitive enough to pick up the sound of the computer's fan. I've put as much gate on the tracks as they will bear and used the AULowPass filter, but hiss is still an issue. I should have just let the hiss run throughout the song, rather than having it cut in and out, but by the time I figured this out, it was too late.
I hope you guys enjoy it and I reallly appreciate any input I get, both positive and critical.
Jim Bouchard posted a cover of this song, over here. I love it, so please check it out if you enjoyed this one. ;-)
After All, by Jim Bouchard
I'm lucky enough that Joe Gurner covered it too, with a very different arrangment than Jim's; Joe's is equally wonderful, though.
After All, by Joe Gurner
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Lyrics
After All
Newspapers piled by the front door,
this house isn't mine, not anymore.
I pick up your suitcase,
I put away my shoes.
After all, what is love for?
After all what is love for?
I'm not who you want me to,
but then again, neither is she.
If there's one thing
that I'm asking from you --
it's to be careful if you go.
I walk to the room where you're asleep.
Hearing you breathe
feels like something to keep.
I lift up the blankets
and lie down next to you.
After all what is love for?
After all what is love for?
I'm not who you want me to be,
but then again, neither is she.
If there's one thing
that I'm begging from you --
please don't go.
Please don't go.
Newspapers piled by the front door,
this house isn't mine, not anymore.
I pick up your suitcase,
I put away my shoes.
After all, what is love for?
After all what is love for?
I'm not who you want me to,
but then again, neither is she.
If there's one thing
that I'm asking from you --
it's to be careful if you go.
I walk to the room where you're asleep.
Hearing you breathe
feels like something to keep.
I lift up the blankets
and lie down next to you.
After all what is love for?
After all what is love for?
I'm not who you want me to be,
but then again, neither is she.
If there's one thing
that I'm begging from you --
please don't go.
Please don't go.






























































































alley-oop
First off, I'm glad you don't have a lot of effects on your voice. You have a very pleasant voice. It's very pretty. The story you tell so good! The lyrics are very engaging. A story of a relationship that's a little sketchy on the edges. The 'she,' a third character in the realtionship. Is the owner of the suitcase cheating with her? The first person character is also 'not' who the suitcase person thinks she is. Everyone seems to be running a little scam. But the human 'don't go' line keeps the listener sympathising with the first person character. Very well done. The listener is left to ponder the out come. But fragile message: we all compromise, so not to be left alone. The house not hers anymore, another mystery.
If you did this with loops, it's a great job. I would have never known. Very nice ledebutant.