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Description
Pretty laid back for me, this - the intent was to write something quite spooky, but this seems to have taken a bit of a left turn.
Lyric inspired by the Phillip k Dick book, 'A Scanner Darkly'.
This is the first song that I've used parametric EQ on, so happy to have feedback on how you think this has worked.
Lyric inspired by the Phillip k Dick book, 'A Scanner Darkly'.
This is the first song that I've used parametric EQ on, so happy to have feedback on how you think this has worked.
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Lyrics
And all the secrets you're keeping
All the people you've been sleeping with
I've seen the scene play,
I'll be there.
I watched, under observation,
You crack in interogation
Still and waiting, I'll be there.
When you cut you're hair,
When you turn the night-light on.
When you touch yourself
When you think that you're alone
I'll be your shadow.
And when you wake into this world
When you walk into the next girl
A line that tells you
I'll be there.
Sixth sense or suspicion
We flower under the same sun
Still and waiting
I'll be there.
When you crash the car
When you're creeping out to score
In the smoking ruin of some bar
When you think that you're alone
I'll be your shadow.
All the people you've been sleeping with
I've seen the scene play,
I'll be there.
I watched, under observation,
You crack in interogation
Still and waiting, I'll be there.
When you cut you're hair,
When you turn the night-light on.
When you touch yourself
When you think that you're alone
I'll be your shadow.
And when you wake into this world
When you walk into the next girl
A line that tells you
I'll be there.
Sixth sense or suspicion
We flower under the same sun
Still and waiting
I'll be there.
When you crash the car
When you're creeping out to score
In the smoking ruin of some bar
When you think that you're alone
I'll be your shadow.























ledebutant
I emailed you yesterday, but don't know if you ever received it, since
your email has been wonky. My comments are the same on this mix as
they were on yesterday's, so I'll cut and paste here, in case you didn't
get the chance to read it.
A quick note, as I'm rushing around, but I LOVE the song. It's
gorgeous and I can hear a big improvement in sound. Beautiful
melody,nice transitions, GREAT lyrics, nice harmonies. This is the
whole package (I love the xylophone or marimba). The EQ on the
instruments sounds really clean.
The vocal has way, way too much reverb on it. You have a great voice
and it doesn't need it. There's so much reverb that it's hard to
understand the lyrics. I'd take it down by a third, at least. It may be
over-compressed, as well, but I can't tell through the reverb.
"When you crash the car," the way you sing that is gorgeous. I swear,
if you ever do an album (don't say never) I'd buy it in a second. I
love your voice.