Home Music Articles Forums Blog Chat More...      

Street Song No. 33


by

Warren Smith

 Genre: Classical

Get Flash to see this player.

Description
One of the joys of synthesized songmaking is working with instruments you otherwise couldn't play. For over 10 years now I've been composing "classical" pieces based on the sounds of violin, viola and cello. My first cello came through a box called "Dr. Synth." Now I've been using the Jam Pack with orchestral sounds. My particular concern isn't whether the synth correctly mimics the real instrument - like I could tell the difference, those nuances being far beyond my amateur abilities. Rather, I like having access to these different kinds of instruments because it seems to alter my approach to building a song. Even though this piece mixes in percussion elements from the "World" Jam Pack, I've slotted it into the "Classical" genre because I feel that is the mindset behind its construction.
Leave a Comment
You must be registered and logged-in to comment.
Song Stats
Hits: 2334
Comments: 10
Fans: 4
Plays: 75
Downloads: 119
Votes: 0
Uploaded: May 05, 2007 - 06:27:52 AM
Last Updated: May 05, 2007 - 06:27:52 AM Last Played: Mar 21, 2017 - 05:54:33 PM
Song License
Creative Commons License:
Attribution

Creative Commons

Song Actions
share on facebook share on twitter download song
Hardware:
M-Audio Keystation 49e, Mac G5
Software:
GarageBand, with Jam Packs
Comments
said 3708 days ago (May 5th, 2007)
Cool Elements
I like the way you lead in with something reminiscent of a snake charmer's melody and expand around that. I very much enjoyed the percussion - I wouldn't have minded hearing an extended section with just the percussion.
Warren Smith said 3708 days ago (May 5th, 2007)
Much to learn
Probably the most-dramatic change for me recently in making music has been learning to incorporate percussion into my songs. I like to think I've come a long way - although I will be the first to admit I've got much to learn : >

While in the past I have made attempts to create my own drum patterns, those efforts have mostly left me unsatisfied. It is something I don't seem to have a knack for. I seem to have more luck working with drum loops, both as they are ... and also trying to modify them to develop variation. (For me, variation is one of the essential elements of making original music - it is something that really engages me.)

Consequently, adding percussive elements to my music represents a tremendous challenge ... which I recognize as important ... because it keeps things interesting. This piece is indicative of the kind of sonic experiments I've been playing around with in GarageBand for the past nine months. I've posted little of it, simple because much of it has an unfinished feel to it.

I appreciate your comments ... almost as much as I enjoy listening to your creative work : >
Check out my latest song called The One
perceptualvortex said 3708 days ago (May 5th, 2007)
Sweet
The percussion and strings have a very middle eastern, or Indian feel to them at times, which I like. When the percussion gets a little science-fiction, it fits right in. I enjoyed listening to this.
Check out my latest song called Mercury (RPM 6)
Warren Smith said 3708 days ago (May 5th, 2007)
Drums and such
Hah - if you like the percussion, then I must be doing something right in my efforts to include drums and such into my soundtracks - because you are clearly a master at it.

My goal here has been to move beyond simply orchestrating a melody with the string instruments by opening up a dialogue between the drums, strings and sonics. But I mean this only in a general sense - that there's some kind of conversation taking place between the different elements in this song that feels right, or sounds right, rather than any kind of intellectual resolution.

It's because of people like you here at MacJams that I've been propelled to better myself at numerous aspects of making music - especially percussion and production. Your support and critical feedback are much appreciated.


Check out my latest song called The One
dajama said 3707 days ago (May 5th, 2007)
Nice juxtaposition
of the string sounds and the percussion. Everything works well together, and the whole piece gels nicely. I liked the touch of having certain elements of the percussion panned to one speaker, and I love that effect at the end. Downloaded. Nice work. Thanks for sharing.
Check out my latest song called Across the Wire (MJRF)
Warren Smith said 3704 days ago (May 9th, 2007)
Juxtaposition
The idea of juxtaposition was an integral part of constructing this composition - getting those classical strings and modern percussions working together, even though they are from different "jam packs." The variable elements in the strings are pretty straight forward - melodic variations, alternative phrasings and soloing. For me, the big challenge was trying to create similar variables with the drums and sonics. Thanks for listening and commenting - it's appreciated.
Check out my latest song called The One
Enrique Gil said 3706 days ago (May 6th, 2007)
Interesting...
Keep on mind the synthetyzed sounds don't always pretend to really emulate a real instrument but are rather different and interesting on their own right. I love classical music played on a synt, ever since I became hooked to Walter Carloos Moog playing Bach. Although some synth sounds are rather "natural like", I love the electronic sound like the new instrument that it is. Thank you for sharing.
Check out my latest song called Simple Feelings
Warren Smith said 3704 days ago (May 9th, 2007)
Switched on
I was a senior in high school (1968) when the Moog-synthesized "Switched On Bach" came out ... and while the effect it had on me was multiple (including, certainly, making me more appreciative of classical music in general and Old Bach in particular) ... I think the biggest thing was it imparted a clear realization there can be more than one legitimate way to play a song. Thanks for listening and commenting ... and I will visit your music in the near future.
Check out my latest song called The One
five_extra_arms said 3704 days ago (May 9th, 2007)
Experimental Treats
There are a few moments in this song where I felt like you were really pushing the experimental nature of sound combinations to the max, buy without really over-doing it. These subtle out of place electronic noises do so much for this composition. I like how the hand drums and the shakers sound with your strings. Can you imagine what it would look like to see this performed by live musicians?


Check out my latest song called Kepler - NASA Challenge
Warren Smith said 3703 days ago (May 10th, 2007)
One in five
Ha-ha-hah! It would be even more bizarre to see it performed by one musician with five extra arms : >

Thanks for stopping by and listening and commenting.
Check out my latest song called The One
Artist Info
artist photo
Name: Warren Smith
Location: Brooklyn NY USA
send a note
Born in a Minnesota blizzard, I'm now residing in a coastal heat of Brooklyn, New York City. I recorded my first original composition as a teenager using a reel-to-reel tape recorder back in 1967, and I'm still finding it a creative challenge... [see more]

Check out some of my other songs:

Chat
Who's Online
111
Invisible Members: 1
Visitors: 101